V Festival week is also punctuated by a series of independent Satellite Events. While not organized by us, these gatherings are initiated by the talented non-EU creatives in our network. We're proud to use our platform to highlight their work and encourage you to explore these parallel events throughout the week.
Album Release and Listening Party—nacen en silencio By Luis Fernando Amaya
Thursday 27th of November, Doors open 19:00, concert starts 20:00 Galleri Sagene Kunstsmie (Arendalsgata 10, 0463 Oslo, Entrance at Kristiansandsgate 2)
Exhibition. Eye of a Water – ዐይነ-ውሃ By Robel Temesgen
1st of Nov - 21st of Dec, 2025 Tue-Sun 11-17 Nitja senter for samtidskunst (Kirkegata 10A, 2000 Lillestrøm)

About the album, Jennifer Gersten writes: "In his second monographic album nacen en silencio (“born in silence”), the Oslo-based Mexican composer Luis Fernando Amaya sharpens our sensitivity to the more-than-human lives around us. Comprising pieces for solo instrumentalists and electronics, string quartet, and voices, the album bristles with all the liveliness of its organic inspirations: trees, thunder, fungi, certain airborne beasts"
There will be live music, recorded music, and a short conversation—all with special guests! Entrance + Album*: 200 NOK Entrance Only: 150 / 100 NOK
Credit image: Ana María Bermúdez.

The Amharic phrase ዐይነ-ውሃ (ayne wuha) has the general meaning of likeness, spirit, or essence, but it can also refer more specifically to a source of water. The word «ayne» translates as «the eye of», and «wuha» means «water».
Eye of a Water – ዐይነ-ውሃ by Robel Temesgen imagines the exhibition space of Nitja as a riverbed. The artist has covered the walls with paintings on hundreds of goatskin parchments. Visitors are invited to complete the work through their own presence, as human bodies of water.
Temesgen engages with water not simply as a resource, but as a relational being. Eye of a Water – ዐይነ-ውሃ asks what it means to be shaped by water, to speak with it, or to think through its rhythms and flows, and considers how such questions might take form through artistic practice, ritual and gesture.
The exhibition is the result of Robel Temesgen’s long-lasting engagement with the Blue Nile and the culmination of his PhD project Practising Water: of rituals and engagements at the Oslo National Academy of the Arts (KHiO). In parallel with the show at Nitja, an exhibition in the Guttormsgaard Archive in Blaker presents Temesgen’s engagement with the Glomma River.
Curated by Ellef Prestsæter and Kathrine Wilson, the exhibition is produced with support from KHiO.
https://www.nitja.no/exhibitions/eye-of-a-water